This year, Filipino filmmakers also made their way to the international scene in various festivals. The cinematic experience is incomparable but we must come to terms with the reality that this may be the future of Philippine Cinema as it continuously evolves. There has been a high demand for content from various platforms. Since the closure of our local cinemas, people have turned to VOD platforms for leisure activity especially during this pandemic. We are impressed by the range of projects we have chosen from and we are excited to see them grow and eventually compete globally. Through FCL PH, together with FCL director Matthieu Darras and producer Izabela Igel, we aim to cultivate stories to create a culture of excellence and sustainable cinema in the Philippines and in Southeast Asia. This year, with the newly added Creative Producers Lab, the FCL took place online featuring an international assembly of mentors for the various labs. The 3rd edition of FCL PH has chosen a total of 24 prime projects out of 155 applications from the Philippines and Southeast Asia. The Full Circle Lab Philippines (FCL PH), a talent development program organized by FDCP with Tatino Films, also commenced last September 20.

It tackled various topics from development to distribution during these times, which is a relevant discourse that needs to be understood so that we can move forward and come up with solutions to face the implications the shift will bring on the industry.

It has since expanded to offer sessions and workshops that can also be availed by regional and international filmmakers and enthusiasts. The Conference consisted of 11 free public sessions and seven masterclasses featuring big names and leaders of the global film industry as panelists and speakers. Just last week, from September 16 to 19, the agency held its annual Film Industry Conference, now known as the International Film Industry Conference (IFIC). There is a growing demand for local content with emerging platforms to choose from this is where FDCP comes in to provide essential tools to equip aspiring filmmakers for the future. As we put a standard to the quality of films being produced, the agency also elevates its programs so that we can keep producing globally competitive content and continue supporting filmmakers that can compete at the international arena.

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